![]() ![]() These range from typical Pultec-type jobs (bass, kick, snare, guitars) for the Enhanced EQ to mastering bus and submix presets for the Passive EQ and Vari Comp. ![]() "Although all three plugins are pretty easy to get to grips with, they each include 20 or so task-orientated presets"Īlthough all three plugins are pretty easy to get to grips with, they each include 20 or so task-orientated presets. The inclusion of both input level, threshold and output level makes it easy to saturate the processor circuit. Notable features include the five 'Recovery' (or release) settings, individual dry level (for parallel compression) and sidechain gain. The Vari Comp looks pretty simple, but is a tad esoteric in its labelling. Rounding things off are high- and low-pass filters. Each can be switched to either bell or shelf, and in the case of the latter, high Q results in an overshoot shape. It features four bands in parallel configuration with notched frequencies and sweepable bandwidth. This basic EQ design is then super-sized into the Passive EQ, which looks suspiciously like Manley's revered Massive Passive. Much like the Manley hardware version, the low-band frequencies of NI's Enhanced EQ differ slightly from a real Pultec unit. It appears to be based on the Manley Enhanced Pultec EQP-1A, which itself is Manley's interpretation of the classic original Pultec units built by Pulse Technologies. This 3-band passive EQ design includes low shelf, high bell and high cut, and all frequencies are notched. In case you're not familiar with the hardware these plugins emulate, we should sum up the main features. ![]()
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